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[Story Rebel Digest] All about the whys


Hey rebels!

March is my birthday month! 🥳

I used to ignore my birthday and not make a big deal. But weirdly, the older I've gotten, the more delighted I am to celebrate each year. (Plenty of people have told me they're the opposite!)

Honestly, I think it's a self-confidence thing more than an age thing. I'm much more comfortable being seen and celebrated than I was in my younger years. And, anyway, time is passing too damn fast not to find things to party about!

Speaking of, this weekend we're taking an impromptu jaunt to New Orleans with a good friend who shares my birthday (March 8). This is a bucket list trip for me, and I'm so excited to spend a few days steeped in that very storied city.

Any recommendations?

—JK

IN THIS ISSUE:

  • Journalistic objectivity
  • How to tell a great story
  • Why are you even writing this book?
  • Don't miss the Q1 Story Rebel mixer on March 20th!

🗞️ "Objectivity is dead. What's next?" I was absolutely fascinated by this Creator Spotlight piece by Natalia Perez-Gonzales. (Creator Spotlight is beehiiv's weekly newsletter, and it always has interesting articles.) In the piece, Perez-Gonzales profiles two journalists: one working in traditional media, one a "creator-journalist" who works alone.

Both have their own journalistic codes of ethics, and their own readers-slash-fans. Perez-Gonzales argues that the more the lines blur between traditional reporting and social media reporting, the clearer it is that objectivity—that highly-touted tenet of traditional news—has never actually been present.

There has always been a bias in how news is presented—and in what is considered "fit for print" in the first place. These days, most readers understand that, writes Perez-Gonzales. "Today’s audiences are skeptical of anyone claiming objectivity. They know you're biased, and they just ask that you explain how."

📣 "How to tell a great story." Some late-night rabbit trail I can't remember led me to reading this older piece on Seth Godin's blog, and nodding along with every word.

Especially this line, about nailing your story by narrowing your audience:

Great stories are rarely aimed at everyone. Average people are good at ignoring you. Average people have too many different points of view about life and average people are by and large satisfied. If you need to water down your story to appeal to everyone, it will appeal to no one. The most effective stories match the world view of a tiny audience—and then that tiny audience spreads the story.

The Why Behind Your Nonfiction Book

“I basically have two books I want to write,” a prospect said last week on a call.

I already knew what he was going to say next.

“There’s the book I should write—the business book with all the frameworks. But I can’t stop thinking about writing a book about my journey.”

For the first twenty minutes of the call, all he’d talked about was his journey. The personal struggles he’d faced, how he’d persevered and grown through the challenges, what he’d learned. He’d barely mentioned his business.

Until now, when it came time to describe the project he was considering hiring me for.

“I don’t know who would want to read about my personal story, though,” he continued. “I should probably stick with the business book.”

But I could tell in his voice that his why wanted something more than a lead magnet or a collection of essays on Business Leadership Lessons(TM).

He had a real story to tell, even if he was just getting used to voicing that impulse out loud.

He was harboring an unspoken “why”

When I’m speaking with a prospective book coaching or ghostwriting client, I’ve learned one of the most important signals for good fit is their why.

Why—really—do they want to write this book?

And why now?

Think about this for yourself. When you imagine finally writing your book, what is that little voice really saying?

Writing a book…

  • Will give you a leg up in your industry—it’ll help you land speaking engagements and podcast appearances, and show you really know your stuff.
  • Is a smart business investment—it’ll bring in new clients and open new revenue sources.
  • Will strengthen your legacy, extend your impact, and scale the reach of your message. It will leave your indelible mark on the world.
  • Can help you make meaning and sense of a story that might have been extremely painful to live.

It's absolutely okay to have multiple reasons to want to write a book.

You might want to leave a legacy and also drive people to your business. You might want to establish yourself as a speaker, and process what you’ve been through and find the lessons within.

We are complicated humans, with complex emotions and motivations.

The problem comes when we don't acknowledge the breadth of our whys when embarking on a project as massive and thorny as writing a book. When we make pivotal choices based on what we feel like we “should” be doing rather than the true reason we’re drawn to the project.

$$$? Service? Catharsis? Why not have it all?

I was reminded of this earlier this week when I recorded a coaching podcast with Stacey Brass-Russell. (I’ll add the link to it once it goes live.)

She asked why I wanted to expand my ghostwriting business to include book coaching, and I told her it's because even though I don’t have the capacity to write more than one book at a time, I wanted to be able to help more people tell their stories.

“It’s great that you want to help—and yet you also used the word capacity,” she said. “How much of your motivation is also to grow your income? Because it's okay to want that too.”

The way I was raised, “helping people” is an acceptable motivation. “Making $$$” is not. Which means that I sometimes (often) approach big business decisions solely from a lens of service even if secretly it’s about getting paid.

Predictably, this leads to cycles of burnout and resentment that feel baffling until I reflect, and realize I didn’t take my full whys into account.

(I’ve had to do a lot of self-work over the years to bring my money-based motivations closer to the surface.)

But for many entrepreneurs who want to write a book—like the prospect I mentioned above—business-based motivations feel more socially acceptable than emotional ones.

Saying you want to earn money off your book, or use it as a lever to get speaking gigs, or create a lead magnet to attract new clients—that feels safe.

And getting a business ROI off your book is a perfectly legit motivation!

But ignoring your more subtle emotional reasons will send you into a similar cycle of dissatisfaction as someone who ignores their revenue-based motivations.

You could write a very serviceable lead magnet, but as soon as you hit publish, you know in your gut that you left your most important and impactful stories out in order to make it more palatable to a wider audience.

You might have this sneaking suspicions that by ignoring your personal journey, you missed an important opportunity to help people and create something that lives beyond you.

No one why is the best

Now, I want to make a few things clear.

Thing one:

I’m not saying you have to have both financial and emotional motivations, or that the only good books are ones that share a personal story while also making business impact.

I'm saying that if you keep telling people the reason you want to write a book, but there's a quiet but nagging in the back of your mind, it's worth investigating that and making sure that you fully understand your whys before you get started.

Writing a book is an intense and often quite long process. Don't let yourself get to the end wishing you'd done something different.

Thing two:

I'm also not saying that one (1) book has to do all the heavy lifting. You can absolutely write more than one book if you have multiple whys!

In fact, that's what I recommended to the prospect above—and it's what I'm working on with a current client.

We've already written his manifesto book that touches on his deep beliefs, and now we are translating that into a targeted business book that will serve as a lead magnet for his ideal customer.

Thing three:

Finally, I'm not saying all this to scare you or trigger any fears of perfectionism and not getting this 100% right.

I’ve just had so many calls with people who didn't get to the heart of their why until the end of our conversation. Only then did they say it in an offhand way, almost apologetically. Like they knew this thing all along, but it was too embarrassing to say out loud.

Friends, those are the reasons that matter most.

What’s you why?

So. What are those secret whys behind your desire to write a book?

  • You might want to prove that you're capable of writing a book, and give the middle finger to your doubters.
  • Maybe you have a health concern or an illness that's putting pressure on you to get out everything you know and codify it before it's too late.
  • Maybe life recently delivered you a mortality reminder, and you realized that the time is now or never.
  • Maybe you want to make boat loads of cash, and a book is a key part of the business model you’ll use to do that.

All of these reasons can exist together. It's just important that you acknowledge all of it or you won't know how to hit your metrics of success.

When you finish that book, when you hold it in your hands, I want it to feel complete.

And that means acknowledging the glorious, multifaceted “whys” behind why you wrote it in the first place.

So say it. Get to the heart of it.

Don't be afraid of your messy, complicated why—embrace it!

And if you want a sounding board, book a Story Clarity Call with me. It's a 90-minute call where we get to the heart of your story and talk through the hows, whats, and—of course—whys of the book you're writing.

A Story Clarity Call is also a great way to test out a longer-term engagement with me, because the cost of is applied to the next tier of book strategy sessions if you decide you want to go deeper in this work.

Let’s talk.

—> Read this post on the Story Rebel blog.

🎤 A thesaurus on steroids. That's how I've been thinking of TextFX, a tool from rapper Lupe Fiasco. It allows you to enter words or concepts and choose the type of connections you want made: similes, chains, alliteration, explosions.

So far, my favorite way to use the tool has been Fuse, where you enter two different concepts and the tool points out similarities between them.

I popped in Spaceship and House Plant (two things I can see from my desk*) and these were my favorite outputs:

  • "Both a spaceship and a house plant rely on a delicate balance of elements to thrive — the spaceship needing precise atmospheric, temperature, and pressure controls, and the house plant needing the right mix of light, water, and nutrients."
  • "Both a spaceship and a house plant can represent a connection to something beyond the immediate — the spaceship reaching for the stars, and the house plant bringing a touch of nature indoors."

What interesting sparks from which longer observations could be spooled out! I could see using TextFX as a personalized prompt generator—a tool for helping you get outside your own head when writing.

(* Not a real spaceship, obvs. A drawing my cousin did of the Nanshe, the ship in my sci-fi series.)

🤝 Author Nation's Virtual Industry Expo will be April 12 from 11-2pm Central. It's the first time they've done something like this, and it looks like a great opportunity to connect with publishing industry vendors and get your questions answered.

How it works (from their site):

  • 3-hour open house format
  • Each vendor will have an assigned breakout room
  • Pop in and out as your schedule allows — you can stay 10 minutes or the whole time!
  • All attendees will automatically be entered into our raffle prize drawing. We will email folks after the Expo ends to connect winners with vendors so they can redeem their prizes.

🎉 The next Story Rebel Mixer will be March 20th at 12pm Pacific/3pm Eastern. Come hang out and meet other members of the community! This will be a casual virtual mixer with some light structure to break the ice and give everyone a chance to chat. Depending on group size, we may break into smaller rooms for part of the call.

We had a really wonderful time last December, and I'm looking forward to chatting with you all! Register here.

Talk soon,

JK

Written by Jessie Kwak

Story Rebel

Learn how your story can help you grow your business, spread your message, and make an impact in the world.

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